Frank Lehman
Music Theorist & Film Musicologist at Tufts University
Thematic Catalogues
Star Wars
Indiana Jones
Home Alone
Publications
Hollywood Harmony
John Williams’s Action Music in the 21st Century
Film-as-Concert-Music
Scoring The President
Hans Zimmer and the Sounds of Significance
Transformational Analysis and the Representation of Genius in Film Music
Schubert’s SLIDES
Music Theory Through the Lens of Film
Analyzing Screen Media and Sound
Korngold’s Main Titles (German Only)
Reading Tonality Through Film (PhD Dissertation)
Symphony Formal Analyses
A. Beach, 1/I
B. Lyatoshynsky, 1/I
D. Pejačević, 1/I
E Mayer, 4/I
E. Soro, 1/I
F. Price: 1/I
G. Williams, 2/I
J. Bologne, 1/I
K. Atterberg, 2/I
L. Farrenc, 2/I
M. Bruch, 1/I
N. Gade, 4/I
R. Gipps, 4/I
R Volkmann: 1/I
T. Gouvy, 1/I
Media
Jerome Moross’s Harmonic Language and the Rise of Cowboy Chromaticism
Car Chases, Fight Scenes, Epic Battles
Thematic Transformation and the Limits of Leitmotivic Analysis in Hollywood
Analyses of Film Concert Arrangements
Birding & Photography
eBird Profile
Birding Life-List
Contact Me
Robert Volkmann: Symphony No. 1 in D Minor, Op. 44 (1863) Analysis
Volkmann-1