Frank Lehman

Music Theorist & Film Musicologist at Tufts University

  • Thematic Catalogues
    • Star Wars
    • Indiana Jones
    • Home Alone
  • Publications
    • Hollywood Harmony
    • John Williams’s Action Music in the 21st Century
    • Film-as-Concert-Music
    • Scoring The President
    • Hans Zimmer and the Sounds of Significance
    • Transformational Analysis and the Representation of Genius in Film Music
    • Schubert’s SLIDES
    • Music Theory Through the Lens of Film
    • Analyzing Screen Media and Sound
    • Korngold’s Main Titles (German Only)
    • Reading Tonality Through Film (PhD Dissertation)
  • Symphony Formal Analyses
    • A. Beach, 1/I
    • B. Lyatoshynsky, 1/I
    • D. Pejačević, 1/I
    • E Mayer, 4/I
    • E. Soro, 1/I
    • F. Price: 1/I
    • G. Williams, 2/I
    • J. Bologne, 1/I
    • K. Atterberg, 2/I
    • L. Farrenc, 2/I
    • M. Bruch, 1/I
    • N. Gade, 4/I
    • R. Gipps, 4/I
    • R Volkmann: 1/I
    • T. Gouvy, 1/I
  • Media
    • Jerome Moross’s Harmonic Language and the Rise of Cowboy Chromaticism
    • Car Chases, Fight Scenes, Epic Battles
    • Thematic Transformation and the Limits of Leitmotivic Analysis in Hollywood
    • Analyses of Film Concert Arrangements
  • Birding & Photography
    • eBird Profile
    • Birding Life-List
  • Contact Me

Music Theory Through the Lens of Film

JFM-Article